The morphology of the simile from the beginning to the end of the sixth century | ||
| دوفصلنامه علمی بلاغت کاربردی و نقد بلاغی | ||
| Volume 7, Issue 2 - Serial Number 15, March 2024 | ||
| Document Type: applied research | ||
| DOI: 10.30473/prl.2023.64021.1979 | ||
| Author | ||
| vahid alibaygi* | ||
| urmia | ||
| Abstract | ||
| The use of imagery forms the attraction and mental involvement of the audience to understand the purpose of the poets. It is likened to the most important imagery from the beginning of Persian poetry in literary works. From the third century and the beginning of Persian poetry, the poets, with the help of likeness, induced their thoughts and mindsets to the audience, which is apparent at first in a primitive and stereotyped way. With the start of the fourth century, the likeness of its original path begins, and the poets of the century, in the simile application, travel through two distinct paths. The first group uses the similitude of the lower and lower frequency stereotypical path and the second category of innovation in the similitude with more frequencies. With the onset of the fifth century, the likeness of the instrument becomes an important tool for the creation of imagination in the eyes of poets, until the end of this century, it is likened to a stereotypical form, and those like Nasser Khosrow apply novels to their poems, and this procedure With the start of the sixth century, it is evolving with poets such as khaqani and military, and end the similitude of traditional thinking. In this study, by bringing examples of famous poets, we mapped the likeness of the form by analyzing and describing the abysses, and drawing the diagrams, we depict the simulations of each course comprehensively for the audience. | ||
| Keywords | ||
| imagination; simile; order texts; classical poetry | ||
| References | ||
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