The fluid flow of the mind is an important component of the New Novel in the Kingdom, the Prince of Ehtejab and the Mirrors | ||
| دوفصلنامه نقد داستان معاصر فارسی | ||
| Article 1, Volume 6, Issue 1 - Serial Number 17, August 2020, Pages 7-24 PDF (339.07 K) | ||
| Document Type: Scientific Research | ||
| DOI: 10.30473/pl.2020.7192 | ||
| Authors | ||
| Maryam Afrafar* 1; mohammad foladi2 | ||
| 1PhD student in Persian language and literature, Birjand University | ||
| 2Associate Professor of Persian Language and Literature, Qom University | ||
| Abstract | ||
| The new novel is an important current in novel writing that goes beyond traditional novel writing and discards everything related to tradition and past from content and structure. Although it did not last more than three decades, it had lasting effects, and many of the novels that emerged after that were far removed from the classic novel. Fluid flow of the mind is one of the most important aspects of the novel, and it expresses the inner feelings, thoughts, and mentalities of the characters or characters of the story in the form of an unorganized and seemingly non-existent event. The purpose and the specific cause are intertwined, and sometimes by disrupting the logical order of the elements of the story, for example, by language or by breaking syntactic rules. In Iran, Bahram Sadeghi is the first person to write a new novel with "Kingdom" and use the fluid flow of the mind in it. After him, Houshang Golshiri wrote in this way and in the two novels "Prince of Ehtejab" and then "Mirrors of the Door" he used this method in the best way and perhaps it can be said that no one after him could write a new novel like him and the fluidity of mind He used it creatively and derived from the Iranian literary tradition and mixing it with the new Western style | ||
| Keywords | ||
| Novel; new novel; fluid flow of mind | ||
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